In this post we present the latest from E-Infinity - High Energy Communications and then make some comments. 
27th February, 2011
E-infinity Communication No. 78
Cobordism in E-infinity and negative (anti)space
In this communication we draw attention to an important mathematical-physical note by Prof. Ji-Huan He regarding anti space and the empty set in quantum set theory. The paper was published in 2010 (copy attached) in the Int. Journal of Nonlinear Sci. & Num. Simulation , No. 11(12), 2010, pp. 1093-1095. There are of course those notable scientists, some with distinguished titles and prizes who think that mathematics is not physics at this very deep level of the quantum world. To those we can only repeat the famous words of Vincent Price in some of his horror films “How wrong…., how terribly wrong!”
E-infinity Group
Cobordism
2nd March, 2011
Fractal Time
We would like to draw attention to a magnificent new book constituting a tour de force on the philosophy and science of fractal time. The author is Dr. Susie Vrobel who is the main pioneer of the wider implications of fractal time in philosophy. We enclose her Preface. The book is published by World Scientific 2011.
E-infinity Group
Preface
The author of the blog post, almost certainly El Naschie, calls her " Dr. Susie Vrobel" as you see above. I don't think that's correct. Anyway, I can't find a PhD in her online CV .
While you are there, listen to some of her MP3s. Let me indulge in a little music criticism. First here's Nancy Sinatra's original These Boots are Made for Walking:
Here's Susie Vrobel's version (MP3). Not only does it lose the angry, sassy tone of the original, it screws up the most important lyric, the dénouement.
Original:
I just found me a brand new box of matches, yeah. And what he knows you ain't had time to learn.
The narrator taunts her unfaithful lover by extolling the sexual prowess of a new paramour. It's the whole point of the song.
Compare Susie Vrobel's version:
I just found me a brand new box of matches, and what you don't know you ain't had time to learn.
It doesn't even make sense. Did she not understand? Did she mis-hear? My theory is that she liked the song, and understood it, but felt a feminist compulsion to "improve" it.
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